Kids' Cartoons and Family-Friendly Movies
How did Pixar’s beloved “Toy Story” children’s movies lead to the foul-mouthed, sexually explicit comedy “Sausage Party,” from the screenwriting team of Seth Rogen and Evan Goldberg? “We’re both crazy about ‘Toy Story,’ and we talked about it all the time as the only comedic trilogy that gets better with each movie,” Mr. Goldberg said […]
Read MoreThe movie can not stop stepping on their own feet, because over time a top plot points and shameless farce undermine its attempts to depict real drama. The script does not exist any subtext, with low-grade mental contemplation throw loose. If you are interested in learning what drives these people, many people seem to be […]
Read MoreA howl of agony echoes through a distant gorge and soon merges with the screams of the persecutors and the persecuted alike in “Mountain Cry,” a bluntly effective condemnation of intolerant groupthink that reveals just how quickly the inhabitants of a remote village will turn on their own. No less compelling for being fairly morally unambiguous, […]
Read MorePixels probably started off as a germ of an idea in writer-director Patrick Jean’s head while he was stoned out of his mind and feeling all nostalgic and emotional and yearning to go back to a simpler time: the time of wholesome communities where arcade gaming was the awesomest social hangout. He probably sobered up […]
Read MoreCourtesy of New York Film Festival The 1964 murder of Kitty Genovese by a knife-wielding attacker shook New York City not only because of its graphic violence, but because it was subsequently reported that 38 nearby residents witnessed the assault and chose not to intervene. That narrative was promoted by editor Abe Rosenthal at the […]
Read MoreCourtesy of TIFF With “The Wave,” awesomely named Norwegian helmer Roar Uthaug has made an equally impressive tsunami-peril thriller — a thunderous rumble-rumble-hustle-hustle-glub-glub nerve-racker that hits all the same beats as its Hollywood equivalents, right down to the implausible group hug at the end. Not to be confused with last year’s deeply upsetting Scandi avalanche-aftermath drama, […]
Read MoreCourtesy of HanWay Films Sean Byrne’s Aussie alternative-prom-from-hell “The Loved Ones” was one of the better horror debuts in recent years, a neat mixture of the outre, droll and hair-raising. By comparison, the U.S.-made “The Devil’s Candy” seems a bit of a sophomore slump. Accomplished visually and busy sonically, it nonetheless falls short with a story […]
Read MoreParents, don’t let your kids listen to doom metal. Australian writer-director Sean Byrne has some malevolent fun with the familiar perception of Satan’s music as an invitation to evil — or failing that, a means to drown it out — in his first American feature, The Devil’s Candy. But the movie runs out of ideas […]
Read More★ ½ M. Night Shyamalan returns to his horror roots in an attempt to reboot his stalled career following the big-budget flops The Last Airbender and After Earth, but his found-footage movie The Visit, financed with five million dollars of his own money, elicits more laughs than screams. It’s yet another misfire from the once-promising […]
Read MorePhoto courtesy of Venice Film Festival Although in real life, United States troops haven’t fought on native soil since World War II, in the confused alternate reality of Dito Montiel’s “Man Down,” there’s an urgent battle raging at home today. For countless American veterans — and one scuzzy-faced ex-Marine played by Shia LaBeouf in particular — the […]
Read MorePhoto courtesy of Venice Film Festival Argentine powerhouse Pablo Trapero (“Carancho,” “White Elephant”) takes a case so upsetting many refused to believe it was possible and retells it in ghastly detail from the p.o.v. of the perpetrators in “The Clan,” a muscular, Hollywood-style account of the Puccio fiasco, in which a relatively well-to-do San Isidro […]
Read MoreCourtesy of Open Road It’s not often that a director manages to follow his worst film with his best, but even if he weren’t rebounding from “The Cobbler,” Tom McCarthy would have a considerable achievement on his hands with “Spotlight,” a superbly controlled and engrossingly detailed account of the Boston Globe’s Pulitzer Prize-winning investigation into […]
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